A former scientist who pointlessly murdered a woman during a robbery attempt describes his amoral, aimless life as he awaits trial. "Banville's style, which is spare yet richly eloquent, and his extraordinary psychological penetration, are what lift his novel to a level of comparison with Camus's The Stranger and Dostoyevski's Crime and Punishment ," said PW. Copyright 1991 Reed Business Information, Inc.
From Library Journal
Freddie Montgomery is a schizophrenic 38-year-old ex-scientist haunting dingy pubs who, nonetheless, ponders life and his illness via this superb novelized murder trial "confession." After study in America, Freddie returns to Ireland to find that his disowning mother has sold what he believes is part of his inheritance from his late father, some paintings that include an old Dutch master of a woman he thinks regards him with caring, benevolent authority. As he steals it, he murders a maid who catches him in the act. His lawyer advises him to plead manslaughter to quash evidence. Instead, the brooding, contradictory Freddie writes the "book of evidence" that we read. How much of it is true, how much sick fancy? Freddie makes us think, too. - Kenneth Mintz, formerly with Bayonne P.L., N.J. Copyright 1990 Reed Business Information, Inc.
Description:
From Publishers Weekly
A former scientist who pointlessly murdered a woman during a robbery attempt describes his amoral, aimless life as he awaits trial. "Banville's style, which is spare yet richly eloquent, and his extraordinary psychological penetration, are what lift his novel to a level of comparison with Camus's The Stranger and Dostoyevski's Crime and Punishment ," said PW.
Copyright 1991 Reed Business Information, Inc.
From Library Journal
Freddie Montgomery is a schizophrenic 38-year-old ex-scientist haunting dingy pubs who, nonetheless, ponders life and his illness via this superb novelized murder trial "confession." After study in America, Freddie returns to Ireland to find that his disowning mother has sold what he believes is part of his inheritance from his late father, some paintings that include an old Dutch master of a woman he thinks regards him with caring, benevolent authority. As he steals it, he murders a maid who catches him in the act. His lawyer advises him to plead manslaughter to quash evidence. Instead, the brooding, contradictory Freddie writes the "book of evidence" that we read. How much of it is true, how much sick fancy? Freddie makes us think, too.
- Kenneth Mintz, formerly with Bayonne P.L., N.J.
Copyright 1990 Reed Business Information, Inc.